notaussiefloyd.com

Before I start this review I'd like to mention not only my biases, but, my initial unfounded dislike for this band. The history behind that is known to those who it matters to. The plain fact of the matter is that it was short lived and without ever seeing them, I became one of their most ardent supporters. That's what friends do for each other. Now, even without a friend in the band, I would remain just that. A fan, friend and unabashed supporter of this band. Like I said during the tour last year, if I was any more supportive, I would have to be a member of the band.

First off, Ruth Eckerd Hall is a spectacular venue. Designed by Frank Lloyd Wright, it is not only aesthetically pleasing, but, acoustically perfect. The staff went out of their way to accommodate me, not even knowing who I was. The band welcomed me like a old friend, placing us in the 15th row, center, ultimately the best seats in the house. Close enough to make eye contact and far enough away to fully appreciate the spectacular production values.

From the beginning of Shine to the end of Run, The Aussies proved why they hold their stature as the premier tribute band on the planet. The level of professionalism displayed this night is unparalleled in my experience. You'll have to forgive me not knowing the names of the lighting operators, video operators and monitor engineer. Most people will concentrate on the gentleman behind the big console for good reason and Gareth Darlington held a steady hand there. Making the job look effortless, his mix was both even and dynamic, flowing gently with sublety and exploding with the solos from the musicians on stage.

Let me suffice to say that to pick this show apart or attempt to analyze each song is not only futile, but it's foolish, in my opinion. The overall execution was near perfection, as near as anyone could want or expect. The band honours not only the history, but the nuances of Pink Floyd. From the sound to the spectacular light show, each detail is given equal respect and importance, creating a production that brings the fans as close to the real thing as possible.

This being my first time seeing the band, I had extremely high expectations. I've heard so much from so many as to how good they are and how impressed I would be. However, I had also heard that the band tended to be a bit stiff on stage. I didn't see that at all. Is it due to the fresh blood in the mix? I'd like to think so. From this night’s performance, I cannot imagine how anyone would perceive that, but, this is a different line-up.

The veterans of the outfit gel so tightly, their years of playing together make their performance together seem like second nature. Damian Darlington commanded the center of the stage with his note perfect solos, exuding his love for the music and his role. Surrounded by his mates, Paul Bonney on drums, Jason Sawford on keyboards and Mike Kidson on saxes. Each fitting so perfectly into their places, Bonney's thunderous percussion belies his off stage demeanour as does Sawford's soundscapes, while Kidson's soloing brought the house to their feet on several occasions. With each person playing such important roles it's difficult to call anyone the leader, but Damian obviously runs the show from center stage. The three backing vocalists

bring the Pulse concept to life, from their choreographed movements, to their individual soaring vocals, Emily Gervers, Jacquie Williams and Ola Bienkowska thrilled the audience. Ola's reading of Great Gig In The Sky garnered no less than three separate standing ovations, her performance was nothing short of spectacular. Filling in for Steve Mac, Jamie Humphries was given some room outside of the box and he flourished there. His lightning solos ignited the overall performance in counterpoint to Damian's note perfect style. Each showing their tremendous talents while not overshadowing the bigger picture of the ensemble. Last, but surely not least, Ian Cattell provided the authenticity of both Waters and Gilmour vocals along with the smooth, accurate bass lines. Someone once said,"If you want to hear Roger this year, don't go see Roger, go see Ian Cattell perform with Aussie Floyd". I couldn't agree more! From the subtle to the dramatic, I firmly believe that no one does it better. While it's possible to find little things from each player to focus on, the importance of the group operating as one is the most important thing.

The Australian Pink Floyd show had the crowd giving them standing ovations before the intermission and throughout the show. The sold out venue was electric with the experience provided for them by this consummate group of pros. I couldn't have asked for anything more. The band treated me like a old friend and after this trip, I feel like one. Can't wait for next Tuesday in Columbus, Ohio. It'll be well worth the 7½  hour drive one way. Thanks TAPFS! You're the best there is.